T-REX MUDHONEY
T-Rex crunchy, fuzzy distortion pedal
» Mixdown review of T-Rex Mudhoney
» Mudhoney Harmony Central Reviews
» Mudhoney Users manual
» Mudhoney Product sheet
» Mudhoney Demo Videos
Sound files
The introductory sound file is named "500" reasons" and it is recorded by Mats Nermark, Sweden. Mats writes for Fuzz magazine (S) and Harmony Central. Click this link to see more about Mats Nermark: web.telia.com
The other sound files are recorded in Sun Studio (Copenhagen) by Mika Vandborg, solo artist and guitarplayer in "Gnags".
Mika plays a Fender Stratocaster 1964 and a T-Rex T25 BigTone Combo.
>> Click here to see more of Mika Vandborg
steve Ray Vaughn style
Mild gain. Gain 9 o´clock and tone 1 o´clock.
>> Mudhoney off
>> Mudhoney on
Hendrix style
Max gain. Boost off, gain 5 o´clock, tone 3 o´clock.
>> Mudhoney off
>> Mudhoney on
Fuzz style
Boost on. Gain 5 o´clock and tone 5 o´clock.
>> Mudhoney off
>> Mudhoney on
Mudhoney Mix
>> Great fuzzy crunchy distortion
Mark Sullivan from daddys.com wrote this
The Mudhoney is a Distortion/Fuzz pedal with a very wide tonal range. It features a typical 3-knob gain/volume/tone layout plus a boost switch. I played this for a few minutes with the boost off and it is quite impressive; very thick tone with warmth that could quickly find its way to being your main dirt for jazz, blues, etc. Then I pushed the boost and cranked up the gain! The speakers in my little Princeton cried for mercy. Hitting it with the bridge pickup of a Les Paul brought sustain of Spinal Tap proportions. Chords were a menacing wall of sound but yet unlike its name would imply, the Mudhoney didn’t get muddy and muffled. Note and harmonic separation was impressive giving a very dimensional sound at gain levels where most pedals sound flat.