Kondenzatorski mikrofon namenjen za studijsko delo, za delo na radiju, poleg tega se lahko uporablja za ozvočevanje/snemanje kitar ter ostalih inštrumentov, uporabimo ga lahko kot "overhead" pri snemanju bobnov ter v vseh situacijah, kjer je potreba po čistem zvoku...
The MK 319 is the successor to the MK219, providing the same relentless attention to detail and legendary performance in an improved form. The MK319 is housed in a new casing which has been acoustically designed to cut down the sound refractions inside the grill, allowing a smoother and more open sound, as well as being more rugged and shock resistant.
The Switches are also improved and whilst still using magnetic reed switches the mechanism has been redesigned for extra durability and easier operation.
The Mic is a fixed-pattern, cardioid, large diaphragm mic intended for studio and broadcast usage. featuring a classic design gold spattered teflon capsule teamed with low noise discreet preamplifier circuitry, resulting in a smooth frequency response from 40 hz to 16khz, with a gentle presence rise giving especial warmth and clarity to the human voice.
The mic is also ideally suited to guitars, overheads and any other application where a warm clear sound is required. The design of the mic is specifically tuned to bringing the sound that it is used with up front in a sympathetic and flattering manner.
| Technical specifications |
| Mic type |
Large diaphragm condenser |
| Polar Pattern |
Cardioid |
| Freq. Response, Hz |
20-18000 |
| Output sensitivity, mV/Pa |
13 |
| Max SPL, dB for 0,5% THD |
122 |
| Self Noise (DIN), dBa |
<14 |
| Output impedance, ohm |
200 |
| Phase |
Positive |
| Powering, V |
48 |
| Supply current, mA |
8 |
| Switches |
-10dB / High-Pass Filter |
| Weight, g |
490 |
| Length, mm |
205 |
| Max diameter/width, mm |
52 |
| Temp. Range |
-35degrees C to +45 degrees C |
| Relative Humidity |
85% (+25 degrees C) |
| Accessories included |
Mic holder |
| Accessories optional |
Shock mount |
| A switch located at the left (High-Pass Filter) allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier. This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect). |
|
| The second switch attenuates the sensitivity by 10 dB. This option should be used in high SPL environments or by recording of loud instruments (for example saxophone). |