The Lone Pine Series is designed to allow you to hear every detail that's happening in your mix.
This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you'll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.
With the LP-6 and LP-8, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.
3-D Imaging Waveguide
The waveguide on Project Lone Pine monitors allows you to hear spatial details and a soundstage that is wider, taller, and deeper than the space between the speakers themselves.
High dynamic range, low distortion
The dual layer, large diameter voice coil on the LP-Series helps keep the sound clear and free of distortion.
Low noise port tube
The LP-6 and LP-8 both have the clean, punchy bass of a front-ported speaker with very low noise from the port tube.
High Output
At continuous reference-level output, the LP-Series monitors have at least 20 dB headroom at the listening position. The LP-6 has enough output for most 1-2 person setups, and LP-8 can handle larger setups easily.
Ample headroom ensures that even loud mixes with high dynamic range will come through clearly.
Bass Power
Bass on the LP-Series monitors is delivered by larger magnets and larger voice coils than any comparable speakers on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need.
Boundary EQ Control
A speaker's given position in a space can drastically change it's frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.
Happily, most of the common positions are fairly predictable and easily corrected.
Kali's team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you're mixing in, or where the speakers are placed.
Easy Connections
The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input.
The RCA input can be set to -10 dBu sensitivity when you're using consumer devices like a laptop or smartphone's headphone jack.
Class D Power
The integrated Class D Power amp delivers clean, reliable power that's optimized to this speaker.
Both models use 40W for the 1” soft dome tweeter. The LP-6 uses 40W for the 6.5-Inch woofer, and the LP-8 uses 60W for the 8-Inch woofer.
Specifications
- Powered: Yes
- Amplifier Class: D
- Power Configuration: Bi-Amped
- LF Power: 40 W
- HF Power: 40 W
- Total Power: 80 W
- LF Driver: 6.5" Woofer
- HF Driver: 1" Soft Dome Tweeter
- Freq. Response: (-10 dB) 39 Hz - 25 kHz
- Frequency Range: (±3 dB) 47 Hz - 21 kHz
- Crossover: 1.5 kHz
- Listening Distance:
- (85 dB Continuous,
- 20 dB headroom) 2.2 Meters
- Max SPL: 112 dB
- System THD
- (94 dB @ 1 M): <3% 80 Hz - 1.7 kHz
- <2% above 1.7 kHz
- Unbalanced Inputs: 1 x RCA
- Balanced Inputs: 1 x TRS
- 1 x XLR
- TRS/XLR Input Sensitivity: +4 dB
- RCA Input Sensitivity: -10 dB
- HF Trim: -2 dB, ±0 dB, +2 dB
- LF Trim: -2 dB, ±0 dB, +2 dB
- Boundary EQ Settings: Free space (On stands, away from walls)
- On stands, within .5 meters of a wall
- On stands, against a wall
- Meter bridge
- Wall Mount
- On a desk, away from walls
- On a desk, within .5 meters of a wall
- On a desk, against a wall
- Enclosure: Front Ported