The Okto channel uses proprietary tracking circuitry to create a sub-octave that locks in fast and remains stable. The Okto can track accurately down to the open-E string of a Bass Guitar, and even lower with minor note wobble. The Okto’s Tone control can go from round, fat subs to the hollow, nasally honk tone. Blend in a bit of Okto with your Dry signal to subtly thicken your bottom end, or crank it up for spot-on note doubling.
The Nojs section is where the real fun starts. A harmonic distortion generator that creates a unique Octave-Fuzz effect, the Nojs circuit reacts to playing dynamics to create spitting, swelling, synth-like drive sounds that are truly out of this world. Gain, Tone & Level controls adjust the Nojs circuit’s Fuzz section, yielding everything from smooth overdrive to squelchy feedback distortion with a blossoming note filtering. The Nojs control blends in a square wave sub-harmonic that can be thick & meaty or edgy & aggressive depending on the setting of the Color control. Both Okto & Nojs sections can be blended to taste against the Dry signal to cover a wide range of colors from subtle to extreme.